Latest

Tuesday, 7 April 2020

āĻļāĻ°ā§€ā§ŸāϤ⧇ āύāĻŋāώāĻŋāĻĻā§āϧ āĻ•āĻžāϜ āĻšāϤ⧇ āϏāĻžāĻŦāϧāĻžāύ āϞ⧇āĻ–āĻ•āσ āĻŽā§āĻšāĻžāĻŽā§āĻŽāĻžāĻĻ āϏāĻžāϞ⧇āĻš āφāϞ āĻŽā§āύāϜāĻŋāĻĻ

āĻļāϰী⧟āϤে āύিāώিāĻĻ্āϧ āĻ•াāϜ āĻšāϤে āϏাāĻŦāϧাāύ āϞেāĻ–āĻ•ঃ āĻŽুāĻšাāĻŽ্āĻŽাāĻĻ āϏাāϞেāĻš āφāϞ āĻŽুāύāϜিāĻĻ

āĻļāϰী⧟āϤে āύিāώিāĻĻ্āϧ āĻ•াāϜ āĻšāϤে āϏাāĻŦāϧাāύ
 āϞেāĻ–āĻ•ঃ āĻŽুāĻšাāĻŽ্āĻŽাāĻĻ āϏাāϞেāĻš āφāϞ āĻŽুāύāϜিāĻĻ
āφāĻĒāύাāĻĻেāϰ āĻŦোāĻাāϰ āϏুāĻŦিāϧাāϰāĻĨে  āĻāχ āĻŦāĻ‡ā§Ÿেāϰ āĻ•িāĻ›ু āĻ•িāĻ›ু āĻ…ংāĻļāĻŦিāĻļেāώ āύিāϚে āĻĻে⧟া āĻšāϞ।
āϟাāχāĻĒিং āĻŽিāϏ্āϟেāĻ• āĻšāϤে āĻĒাāϰে āϤাāϰ āϜāύ্āϝে āĻĻুঃāĻ–িāϤ āϤāĻŦে āĻĒি āĻĄি āĻāĻĢ āĻ•āĻĒিāϤে āύিāϰ্āĻ­ুāϞ āĻĒাāĻŦেāύ āφāϏা āĻ•āϰি āχāύāĻļাāφāϞ্āϞাāĻš্‌

āĻāχ āĻŦāχāϟি āĻĒ্āϰāϚাāϰে āĻ•াāϰো āφāĻĒāϤ্āϤি āĻĨাāĻ•āϞে āφāĻŽাāĻĻেāϰ āĻĢেāĻ›āĻŦুāĻ• āĻĒেāϜে āϜাāύাāύোāϰ āĻ…āύুāϰোāϧ āϰāχāϞ 


Saturday, 28 March 2020

Xiaomi Redmi Note 9 Pro

Xiaomi Redmi Note 9 Pro

Xiaomi Redmi Note 9 Pro
Build Glass front (Gorilla Glass 5), glass back (Gorilla Glass 5), plastic edge 

SIM Dual SIM (Nano-SIM, double remain by) 

Sprinkle confirmation 

DISPLAY Type IPS LCD capacitive touchscreen, 16M hues 

Size 6.67 inches, 107.4 cm2 (~84.5% screen-to-body proportion) 

Resolution 1080 x 2400 pixels, 20:9 proportion (~395 ppi thickness) 

Protection Corning Gorilla Glass 5 

450 nits typ. splendor (publicized) 

PLATFORM OS Android 10.0; MIUI 11 

Chipset Qualcomm SM7125 Snapdragon 720G (8 nm) 

CPU Octa-center (2x2.3 GHz Kryo 465 Gold and 6x1.8 GHz Kryo 465 Silver) 

GPU Adreno 618 

MEMORY Card slot microSDXC (committed space) 

Internal 64GB 4GB RAM, 128GB 6GB RAM 

UFS 2.1 

Fundamental CAMERA Quad 48 MP, f/1.8, 26mm (wide), 1/2.0", 0.8Âĩm, PDAF 

8 MP, f/2.2, 13mm (ultrawide), 1/4.0", 1.12Âĩm 

5 MP, f/2.4, (full scale), 1.12Âĩm 

2 MP, f/2.4, (profundity) 

Features LED streak, HDR, display 

Video 2160p@30fps, 1080p@30/60/120fps, 720p@960fps, gyro-EIS 

SELFIE CAMERA Single 16 MP, f/2.5, (wide), 1.0Âĩm 

Features HDR, display 

Video 1080p@30fps 

SOUND Loudspeaker Yes 

3.5mm jack Yes 

COMMS WLAN Wi-Fi 802.11 a/b/g/n/air conditioning, double band, Wi-Fi Direct, hotspot 

Bluetooth 5.0, A2DP, LE 

GPS Yes, with A-GPS, GLONASS, GALILEO, BDS, NavIC 

Infrared port Yes 

Radio FM radio, recording 

USB 2.0, Type-C 1.0 reversible connector 

FEATURES Sensors Fingerprint (side-mounted), accelerometer, gyro, closeness, compass 

BATTERY Non-removable Li-Po 5020 mAh battery 

Charging Fast charging 18W 

MISC Colors Aurora Blue, Glacier White, Interstellar Black 

Price

Sunday, 22 March 2020

The Prisoner Of Zenda is an experience novel.  bangla ebook

The Prisoner Of Zenda is an experience novel. bangla ebook


āφāĻĒāύাāĻĻেāϰ āĻŦোāĻাāϰ āϏুāĻŦিāϧাāϰāĻĨে  āĻāχ āĻŦāĻ‡ā§Ÿেāϰ āĻ•িāĻ›ু āĻ•িāĻ›ু āĻ…ংāĻļāĻŦিāĻļেāώ āύিāϚে āĻĻে⧟া āĻšāϞ।
āϟাāχāĻĒিং āĻŽিāϏ্āϟেāĻ• āĻšāϤে āĻĒাāϰে āϤাāϰ āϜāύ্āϝে āĻĻুঃāĻ–িāϤ āϤāĻŦে āĻĒি āĻĄি āĻāĻĢ āĻ•āĻĒিāϤে āύিāϰ্āĻ­ুāϞ āĻĒাāĻŦেāύ āφāϏা āĻ•āϰি āχāύāĻļাāφāϞ্āϞাāĻš্‌

āĻāχ āĻŦāχāϟি āĻĒ্āϰāϚাāϰে āĻ•াāϰো āφāĻĒāϤ্āϤি āĻĨাāĻ•āϞে āφāĻŽাāĻĻেāϰ āĻĢেāĻ›āĻŦুāĻ• āĻĒেāϜে āϜাāύাāύোāϰ āĻ…āύুāϰোāϧ āϰāχāϞ 
āĻāĻ•āϟু āĻĒāϰে āĻĻেāĻ–ুāύ
The Prisoner Of Zenda is an experience novel. Prominent English creator Anthony Hope composed this novel. Niraj Morshed made an interpretation of this book into Bangla. The book contains the absolute most energizing occasions; an English man of honor is the hero of this novel. A political intrigue expelled him. Some appalling occasions have transpired. The interpreted variant of this novel distributed in 1986. 

Book Details: 

Book Name: The Prisoner Of Zenda 

Creator: Anthony Home 

Interpreter: Niraj Morshed 

Type: Adventure, Fiction, Classics 

Distributer: Sheba Prokashoni 

Distributed: 1986 

All out pages: 194 

Classification: Translated Books 

PDF Size: 08 Mb

Friday, 20 March 2020

āĻŦāĻŋāώāĻžāĻ•ā§āϤ āĻ—āĻžāĻ› āĻĨ⧇āϕ⧇ āϏāĻžāĻŦāϧāĻžāύ – āĻĒā§āϰāĻļāĻžāĻ¨ā§āϤ āϕ⧁āĻŽāĻžāϰ āĻ­āĻŸā§āϟāĻžāϚāĻžāĻ°ā§āϝ ebook

āĻŦিāώাāĻ•্āϤ āĻ—াāĻ› āĻĨেāĻ•ে āϏাāĻŦāϧাāύ – āĻĒ্āϰāĻļাāύ্āϤ āĻ•ুāĻŽাāϰ āĻ­āϟ্āϟাāϚাāϰ্āϝ ebook


āφāĻĒāύাāĻĻেāϰ āĻŦোāĻাāϰ āϏুāĻŦিāϧাāϰāĻĨে  āĻāχ āĻŦāĻ‡ā§Ÿেāϰ āĻ•িāĻ›ু āĻ•িāĻ›ু āĻ…ংāĻļāĻŦিāĻļেāώ āύিāϚে āĻĻে⧟া āĻšāϞ।
āϟাāχāĻĒিং āĻŽিāϏ্āϟেāĻ• āĻšāϤে āĻĒাāϰে āϤাāϰ āϜāύ্āϝে āĻĻুঃāĻ–িāϤ āϤāĻŦে āĻĒি āĻĄি āĻāĻĢ āĻ•āĻĒিāϤে āύিāϰ্āĻ­ুāϞ āĻĒাāĻŦেāύ āφāϏা āĻ•āϰি āχāύāĻļাāφāϞ্āϞাāĻš্‌

āĻāχ āĻŦāχāϟি āĻĒ্āϰāϚাāϰে āĻ•াāϰো āφāĻĒāϤ্āϤি āĻĨাāĻ•āϞে āφāĻŽাāĻĻেāϰ āĻĢেāĻ›āĻŦুāĻ• āĻĒেāϜে āϜাāύাāύোāϰ āĻ…āύুāϰোāϧ āϰāχāϞ 
āĻāĻ•āϟু āĻĒāϰে āĻĻেāĻ–ুāύ


āĻĒā§āϝāĻžāϰāĻžāĻĄāĻ•ā§āϏāĻŋāĻ•ā§āϝāĻžāϞ āϏāĻžāϜāĻŋāĻĻ ā§¨ -āφāϰāĻŋāĻĢ āφāϜāĻžāĻĻ āĨ¤ Paradoxical Sajid 2 by Arif Azad

āĻĒ্āϝাāϰাāĻĄāĻ•্āϏিāĻ•্āϝাāϞ āϏাāϜিāĻĻ ā§¨ -āφāϰিāĻĢ āφāϜাāĻĻ । Paradoxical Sajid 2 by Arif Azad


āφāĻĒāύাāĻĻেāϰ āĻŦোāĻাāϰ āϏুāĻŦিāϧাāϰāĻĨে  āĻāχ āĻŦāĻ‡ā§Ÿেāϰ āĻ•িāĻ›ু āĻ•িāĻ›ু āĻ…ংāĻļāĻŦিāĻļেāώ āύিāϚে āĻĻে⧟া āĻšāϞ।
āϟাāχāĻĒিং āĻŽিāϏ্āϟেāĻ• āĻšāϤে āĻĒাāϰে āϤাāϰ āϜāύ্āϝে āĻĻুঃāĻ–িāϤ āϤāĻŦে āĻĒি āĻĄি āĻāĻĢ āĻ•āĻĒিāϤে āύিāϰ্āĻ­ুāϞ āĻĒাāĻŦেāύ āφāϏা āĻ•āϰি āχāύāĻļাāφāϞ্āϞাāĻš্‌

āĻāχ āĻŦāχāϟি āĻĒ্āϰāϚাāϰে āĻ•াāϰো āφāĻĒāϤ্āϤি āĻĨাāĻ•āϞে āφāĻŽাāĻĻেāϰ āĻĢেāĻ›āĻŦুāĻ• āĻĒেāϜে āϜাāύাāύোāϰ āĻ…āύুāϰোāϧ āϰāχāϞ 
āĻāĻ•āϟু āĻĒāϰে āĻĻেāĻ–ুāύ


āĻĒāĻžāĻļ āĻŦāĻžāϞāĻŋāĻļ āχāĻŦ⧁āĻ•

āĻĒাāĻļ āĻŦাāϞিāĻļ āχāĻŦুāĻ•


āφāĻĒāύাāĻĻেāϰ āĻŦোāĻাāϰ āϏুāĻŦিāϧাāϰāĻĨে  āĻāχ āĻŦāĻ‡ā§Ÿেāϰ āĻ•িāĻ›ু āĻ•িāĻ›ু āĻ…ংāĻļāĻŦিāĻļেāώ āύিāϚে āĻĻে⧟া āĻšāϞ।
āϟাāχāĻĒিং āĻŽিāϏ্āϟেāĻ• āĻšāϤে āĻĒাāϰে āϤাāϰ āϜāύ্āϝে āĻĻুঃāĻ–িāϤ āϤāĻŦে āĻĒি āĻĄি āĻāĻĢ āĻ•āĻĒিāϤে āύিāϰ্āĻ­ুāϞ āĻĒাāĻŦেāύ āφāϏা āĻ•āϰি āχāύāĻļাāφāϞ্āϞাāĻš্‌

āĻāχ āĻŦāχāϟি āĻĒ্āϰāϚাāϰে āĻ•াāϰো āφāĻĒāϤ্āϤি āĻĨাāĻ•āϞে āφāĻŽাāĻĻেāϰ āĻĢেāĻ›āĻŦুāĻ• āĻĒেāϜে āϜাāύাāύোāϰ āĻ…āύুāϰোāϧ āϰāχāϞ 
āĻāĻ•āϟু āĻĒāϰে āĻĻেāĻ–ুāύ


āϗ⧁āĻĒā§āϤāϧāύ⧇āϰ āϗ⧁āϜāĻŦ ,Guptodhoner Gujob

āĻ—ুāĻĒ্āϤāϧāύেāϰ āĻ—ুāϜāĻŦ ,Guptodhoner Gujob


āφāĻĒāύাāĻĻেāϰ āĻŦোāĻাāϰ āϏুāĻŦিāϧাāϰāĻĨে  āĻāχ āĻŦāĻ‡ā§Ÿেāϰ āĻ•িāĻ›ু āĻ•িāĻ›ু āĻ…ংāĻļāĻŦিāĻļেāώ āύিāϚে āĻĻে⧟া āĻšāϞ।
āϟাāχāĻĒিং āĻŽিāϏ্āϟেāĻ• āĻšāϤে āĻĒাāϰে āϤাāϰ āϜāύ্āϝে āĻĻুঃāĻ–িāϤ āϤāĻŦে āĻĒি āĻĄি āĻāĻĢ āĻ•āĻĒিāϤে āύিāϰ্āĻ­ুāϞ āĻĒাāĻŦেāύ āφāϏা āĻ•āϰি āχāύāĻļাāφāϞ্āϞাāĻš্‌

āĻāχ āĻŦāχāϟি āĻĒ্āϰāϚাāϰে āĻ•াāϰো āφāĻĒāϤ্āϤি āĻĨাāĻ•āϞে āφāĻŽাāĻĻেāϰ āĻĢেāĻ›āĻŦুāĻ• āĻĒেāϜে āϜাāύাāύোāϰ āĻ…āύুāϰোāϧ āϰāχāϞ 
āĻāĻ•āϟু āĻĒāϰে āĻĻেāĻ–ুāύ

āĻ­াāϰী āĻĢুāϰāĻĢুāϰে āĻāĻ•āϟা āĻŽেāϜাāϜ āύিāϝ়ে āϘুāĻŽ āĻ­াāĻ™āϞ āϟুāĻĒুāϰেāϰ। āĻ•াāϞ āϏāύ্āϧেāĻŦেāϞা āϏে āĻāϏেāĻ›ে āĻŽিāϤিāύāĻŽাāϏিāϰ āĻŦাāĻĄ়ি। āφāϜ āϰāĻŦিāĻŦাāϰ, āφāĻ—াāĻŽীāĻ•াāϞ āϜāύ্āĻŽাāώ্āϟāĻŽী, āĻĒāϰāĻļু āĻĒāύেāϰােāχ āĻ…āĻ—āϏ, āĻŦুāϧāĻŦাāϰ āϏ্āĻ•ুāϞেāϰ āĻĒ্āϰāϤিāώ্āĻ াāĻĻিāĻŦāϏ, āĻāĻ–āύ āĻ•'āĻĻিāύ āĻ›ুāϟিāχ āϜুāϟি। āφāϰ āĻāχāϰāĻ•āĻŽ āĻŽিāύি āĻ­েāĻ•েāĻļাāύে āĻŽাāϏিāϰ āĻŦাāĻĄ়ি āϘাঁāϟি āĻ—াāĻĄ়াāϰ āĻŽāϜাāχ āφāϞাāĻĻা। āĻ…āĻŦিāϰাāĻŽ āφāϚ্āĻ›া, āĻšāχāĻšāχ, āĻāĻĻিāĻ•-āϏেāĻĻিāĻ• āĻŦেāĻĄ়াāύাে, āĻŦুāĻŽāĻ•ুāĻŽেāϰ āϏāĻ™্āĻ—ে āĻ–ুāύāϏুāϟি...! āĻ•ী āφāύāύ্āĻĻে āϝে āĻ•াāϟে āĻĻিāύāĻ—ুāϞাে। āĻāϰ āϏāĻ™্āĻ—ে āĻŽাāϏিāϰ āĻ•োāύāĻ“ āĻ•েāϏ āϚāϞāϞে āϤাে āĻ•āĻĨাāχ āύেāχ। āĻŦিāĻĒুāϞ āĻ‰ā§ŽāϏাāĻšে āϟুāĻĒুāϰ āĻ›ুāϟāϤে āĻĒাāϰে āϤাāϰ āĻĒিāĻ›āύ āĻĒিāĻ›āύ। āωāϤ্āϤেāϜāύাāϰ āĻ…āύ āĻĒোāĻšাāύোāϰ āϏāĻ™্āĻ—ে-āϏāĻ™্āĻ—ে āĻŽāϏ্āϤিāώ্āĻ•ে āĻ–াāύিāĻ• āĻļাāύ āĻĻিāϝ়ে āύেāϝ়া āϝাāϝ়।
āĻŦিāĻ›াāύা āĻ›াāĻĄ়াāϰ āφāĻ—ে āϟুāĻĒুāϰ āĻ›ােāϟ্āϟ āĻāĻ•āϟা āφāĻĄ়āĻŽোāĻĄ়া āĻ­াāϞ। āϏাāĻĄ়ে āϏাāϤāϟা āĻŦাāϜে, āĻŦুāĻŽāĻŦুāĻŽ āĻāĻ–āύāĻ“ āĻ…āĻ•াāϤāϰে āϘুāĻŽােāϚ্āĻ›ে। āĻ­াāχāϝ়েāϰ āĻ—াāϞে āφāϞāϤো āϟোāĻ•া āύিāϝ়ে āĻĒাāϝ়ে-āĻĒাāϝ়ে āϘāϰেāϰ āĻŦাāχāϰে āĻāϞ āϟুāĻĒুāϰ।
āϞিāĻ­িংāϰুāĻŽে āĻ•ি āĻŽাāϰāϤেāχ āĻĒাāϰ্āĻĨāĻŽােāϏােāϰ āĻĒ্āϰāĻļ্āύāĻŦাāĻŖ āωāĻĄ়ে āĻāϞ, āφāχ āĻŽেāϝ়ে, āĻŦৃāϤ্āϰাāϏুāϰেāϰ āφāĻ—েāϰ āϜāύ্āĻŽেāϰ āύাāĻŽ āĻ•ী āĻ›িāϞ?... āϚাāϰ āĻ…āĻ•্āώāϰ।”
āϟুāĻĒুāϰ āĻĨāϤāĻŽāϤ āĻŽুāĻ–ে āĻŦāϞāϞ, “āĻ•ে āĻŦৃāϤ্āϰাāϏুāϰ?” **āĻāĻ• āĻ…āϏুāϰ। āϝাāĻ•ে āĻŽাāϰাāϰ āϜāύ্āϝ āĻĻāϧীāϚিāĻŽুāύিāϰ āĻĒাঁāϜāϰাāϰ āĻšাāĻĄ় āĻĻিāϝ়ে āχāύ্āĻĻ্āϰেāϰ āĻŦāĻ•্āϏ āϤৈāϰি āĻšāϝ়েāĻ›িāϞ।”
āĻ“ āĻš্āϝাঁ, āϜাāύি āϤো। āĻ•ী āϝেāύ? āĻ•ী āϝেāύ ? āϚিāϤ্āϰāϏেāύ ? “āύāύা। āϚিāϤ্āϰāĻ•েāϤু। āĻāĻŦাāϰ āϚāĻļāĻŽাāϰ āĻāĻ•āϟা āĻĒ্āϰāϤিāĻļāĻŦ্āĻĻ āĻŦāϞ āĻĻেāĻ–ি? āϤিāύ āĻ…āĻ•্āώāϰেāϰ ?”

āϟুāĻĒুāϰ āĻĒ্āϰāĻŽাāĻĻ āĻ—ুāύāϞ। āĻĒাāϰ্āĻĨāĻŽেāϏাে āĻāĻ–āύ āĻļāĻŦ্āĻĻāϜāĻŦ্āĻĻেāϰ āύেāĻļাāϝ় āϰāϝ়েāĻ›ে, āĻĒ্āϰāĻļ্āύে āĻĒ্āϰāĻļ্āύে āϟুāĻĒুāϰāĻ•ে āĻĒাāĻ—āϞ āĻ•āϰে āĻĻেāĻŦে। āĻāĻ•āϟা āĻšাāχ āϤুāϞে āϟুāĻĒুāϰ āĻŦāϞāϞ, “āϜাāύি āύা।”
“āϜেāύে āϰাāĻ–। āωāĻĒাāĻ•্āώ।”
“āĻ•āϤāĻŦাāϰ āĻŦāϞেāĻ›ি, āĻ­ােāϰāĻŦেāϞা āωāĻ ে āĻļāĻŦ্āĻĻāĻ›āĻ• āĻ•āϰāĻŦি, āϏ্āĻŽৃāϤিāĻļāĻ•্āϤি āĻĒ্āϰāĻ–āϰ āĻšāĻŦে। āĻāĻŦাāϰ āĻŦāϞ āϤাে, āϜāϟাāϏুāϰেāϰ āĻ›েāϞে...āϚাāϰ āĻ…āĻ•্āώāϰ...!”
“āϘ্āϝাঁāϘাāϏুāϰ ?”
“āϤােāĻŽাāϰ āĻŽাāĻĨা। āĻ…āϞāϘুāώ। āĻ িāĻ• āφāĻ›ে, āĻāĻŦাāϰ āĻāĻ•āϟা āϏােāϜা āϜিāϜ্āĻžেāϏ āĻ•āϰāĻ›ি। āφāϞāϤাāϰ āĻĒ্āϰāϤিāĻļāĻŦ্āĻĻ āĻ•ী? āϤিāύ āĻ…āĻ•্āώāϰেāϰ ?”
“āĻ…āϞāĻ•্āϤ? “āωঁāĻšু। āϝ āĻĻিāϝ়ে।” āϟুāĻĒুāϰ āĻŽাāĻĨা āϚুāϞāĻ•োāϞ, “āĻĒাāϰāĻŦ āύা।”
“āϝাāĻ•।” āĻĒাāϰ্āĻĨ āĻĻু āĻĻিāĻ•ে āĻŽাāĻĨা āύাāĻĄ়āϞ, “āύাঃ, āĻŽাāϏিāϰ āĻĒোঁ āϧāϰেāϧāϰে āϤােāϰ āĻŦ্āϰেāύে āĻĒāϞি āϜāĻŽে āϝাāϚ্āĻ›ে। āĻĻাāĻĄ়া, āϤােāĻ•ে āφāϰāĻ“ āϏােāϜা āĻāĻ•āϟা...!”
āĻĒāϰāĻŦāϰ্āϤী āφāĻ•্āϰāĻŽāĻŖেāϰ āĻ…āĻŦāĻļ্āϝ āϏুāϝােāĻ— āĻĒেāϞ āύা āĻĒাāϰ্āĻĨ। āϟুāĻĒুāϰāĻ•ে āϰāĻ•্āώা। āĻ•āϰāϤেāχ āĻŦুāĻি āĻŦেāϜে āωāĻ āϞ āĻĄােāϰāĻŦেāϞ। āĻĻৌāĻĄ়ে āĻ—িāϝ়ে āĻĻāϰāϜা āĻ–ুāϞāϞ
āĻ…āĻŽāύি āϚāĻŽāĻ•। āĻ…āύিāĻļ্āϚāϝ় āĻŽāϜুāĻŽāĻĻাāϰ ! āĻĒāϰāύে āϟ্āϰাāĻ•āϏুāϟ, āĻĒাāϝ়ে āϏ্āύিāĻ•াāϰ, āĻšাāϤে āĻ•াāϝ়āĻĻাāϰ āĻ›āĻĄ়ি। | āĻĒাāϰ্āĻĨ āĻĒ্āϰাāϝ় āϞাāĻĢিāϝ়ে āωāĻ āϞ, “āϏ্āĻŦāϝ়ং āφāχ āϜি āϏাāĻšেāĻŦ āϝে! āϏāĻ•্āĻ•াāϞāϏāĻ•্āĻ•াāϞ āĻšāĻ াā§Ž āĻ—āϰিāĻŦেāϰ āĻĄেāϰাāϝ় ?”
“āĻ›ুāϟিāϰ āĻĻিāύেāϰ āĻŦ্āϰেāĻ•āĻĢাāϏ্āϟāϟা āĻāĻ–াāύেāχ āϏাāϰāϤে āĻāϞাāĻŽ। āφāϜ āφāĻĒāύাāĻĻেāϰ āĻŽেāύু āĻ•ী?”
“āĻĢুāϞāĻ•ো āϞুāϚি āφāϰ āϏাāĻĻা āφāϞুāϚāϚ্āϚāĻĄ়ি। āωāχāĻĨ āĻ•াঁāϚাāϞāĻ™্āĻ•া।”

“āĻšাāϞ্āĻĄ!" āĻļিāĻ•াāϰ āĻ–ুāϞে āύিāĻļ্āϚāϝ় āϏােāĻĢাāϝ় āĻŦāϏāϞেāύ। āĻāĻĻিāĻ•āĻ“āĻĻিāĻ• āϤাāĻ•িāϝ়ে āĻŦāϞāϞেāύ, “āϤা āĻ—ৃāĻšāĻ•āϤ্āϰীāĻ•ে āĻĻেāĻ–āĻ›ি āύা āĻ•েāύ? āϤিāύি āĻ•োāĻĨাāϝ়?”
“āĻļāϰীāϰāϚāϰ্āϚা āϚāϞāĻ›ে। āĻĄাāĻ•āĻŦ?” āĻĄাāĻ•াāĻĄাāĻ•িāϰ āĻĒ্āϰāϝ়ােāϜāύ āĻšāϞ āύা। āĻ…āύিāĻļ্āϚāϝ় āĻŽāϜুāĻŽāĻĻাāϰেāϰ āĻŦāϜ্āϰāĻ•āĻŖ্āĻ  āĻļুāύে āĻŽিāϤিāύ āύিāϜেāχ āĻŦেāϰিāϝ়ে āĻāϞ। āφāχ āϜি āϏাāĻšেāĻŦāĻ•ে āĻĻেāĻ–āϞ āĻāϞāĻ•। āĻĻোāĻĒাāϟ্āϟাāϝ় āϘাāĻŽ āĻŽুāĻ›āϤে āĻŽুāĻ›āϤে āĻŦāϞāϞ, “āφāĻĒāύি āĻ•ি āφāϜāĻ•াāϞ āĻŽāϰ্āύিংāĻ“āϝ়াāĻ•েāĻ“ āϰিāĻ­āϞāĻŦাāϰ āύিāϝ়ে āĻŦেāϰােāϚ্āĻ›েāύ?”
āĻ…āύিāĻļ্āϚāϝ় āϤাāĻĄ়াāϤাāĻĄ়ি āĻ•োāĻŽāϰে āĻšাāϤ āϰাāĻ–āϞেāύ, “āĻ•ী āĻ•াāĻŖ্āĻĄ, āĻŦােāĻা āϝাāϚ্āĻ›ে āύাāĻ•ি?” | āĻŽিāϤিāύ āĻŽুāϚāĻ•ি āĻšাāϏāϞ, “āĻāϟুāĻ•ুāĻ“ āύা āύāϜāϰে āĻĒāĻĄ়āϞে āĻ—ােāϝ়েāύ্āĻĻাāĻ—িāϰি āϤো āĻ›েāĻĄ়ে āĻĻিāϤে āĻšāϝ় āĻĻাāĻĻা। āϤা āĻāϤ āϏāϤāϰ্āĻ•āϤা āĻ•ীāϏেāϰ āϜāύ্āϝে? āĻ•োāύāĻ“ āĻ—ুāĻŖ্āĻĄা-āĻŦāĻĻāĻŽাāĻļ āĻĒ্āϰাāĻŖāĻšাāύিāϰ āĻšুāĻŽāĻ•ি āĻĻিāϝ়েāĻ›ে āύাāĻ•ি?”
“āĻ“āĻĻেāϰ āφāĻŽি āĻĨােāĻĄ়াāχ āĻĒāϰােāϝ়া āĻ•āϰি। āϤāĻŦে āφāϜāĻ•াāϞ āωāĻ—্āϰāĻĒāύ্āĻĨীāĻĻেāϰ āϝা āĻ‰ā§ŽāĻĒাāϤ āĻŦেāĻĄ়েāĻ›ে...! āĻ•াāĻ•ে āĻ•āĻ–āύ āϟাāϰ্āĻ—েāϟ āĻ•āϰে āϤাāϰ āĻ িāĻ•āĻ িāĻ•াāύা
| “āĻāĻ•āĻĻāĻŽ āĻ–াāϟি āĻ•āĻĨা! āϏাāĻŦāϧাāύে āĻĨাāĻ•াāχ āϤাে āĻ­াāϞ।” āĻĒাāϰ্āĻĨ āϏাāϝ় āĻĻিāϞ, “āĻāϤ āϰāĻ•āĻŽ āĻ…āϏ্āϤ্āϰ āĻ“āĻĻেāϰ āĻšাāϤে। āĻŦােāĻŽা, āϰিāĻ­āϞāĻŦাāϰ, āĻ…āϟোāĻŽেāϟিāĻ• āϰাāχāĻĢেāϞ, āĻšাāϜাāϰāĻ“ āϧāϰāύেāϰ āĻŦিāϏ্āĻĢোāϰāĻ•, āĻāĻŽāύāĻ•ী, āϰāĻ•েāϟ āϞāĻž্āϚাāϰāĻ“...!” | āϟুāĻĒুāϰ āĻĢāϏ āĻ•āϰে āĻŦāϞে āωāĻ āϞ, “āĻ•িāύ্āϤু āĻ“āϰা āĻāϏāĻŦ āĻĒাāϚ্āĻ›ে āĻ•োāϤ্āĻĨেāĻ•ে?”
“āĻĻেāĻļেāϰ āĻŽāϧ্āϝেāχ āϤৈāϰি āĻšāϚ্āĻ›ে āϚোāϰাāĻ—ােāĻĒ্āϤা। āφāϰ āĻŦাāχāϰে āĻĨেāĻ•ে āϤো āφāϏāĻ›েāχ।” “āϝাāϰা āĻĒাāĻ াāϚ্āĻ›ে āϤাāĻĻেāϰ āϧāϰা āϝাāϚ্āĻ›ে āύা?” “āϚেāώ্āϟাāϰ āĻ•ি āĻ•āϏুāϰ āϰাāĻ–āĻ›ি āϰে āĻ­াāχ। āϤāĻŦে āĻŦিāĻĻেāĻļ āĻĨেāĻ•ে āĻ…āϏ্āϤ্āϰ